Academics versus Writing Centered Classes Essay -- Literature English

One of the biggest debates in opus theory seems to be the notion of bringing up the creative craving versus structure in the paternity classroom. We have run into this argument time and again in class, and it is waged on a larger scale in the Bartholomae and Elbow Debate in terms of academic versus writing centered classes. In class we have discussed structure as grammar, and the creative impulse as the desire students have to break the rules of language in their own creative endeavors. Bartholomae and Elbow provide us with natural extensions of this argument in their own debate. The academic classroom according to Bartholomae is more beneficial to students, as they gain a sense of intertextuality and learn how to write and respond to the academic writing that has preceded them ( i.e. faultfinding theory and literature). Elbow on the other hand fosters the idea that students will learn how to write more effectively within smaller writing communities that are created right wit hin the classroom itself and spends more time in his own classes with that side of the issue. This is the conflict that we will run into no matter what facet of composition theory we discuss. The problem with this debate, however, is that both Elbow and Bartholomae are conceiving of these two (supposedly) oppositional roles too narrowly. They are both at odds concerning the role of each in the writing classroom despite the fact that they see the commonalities. It is important for all teachers of writing to address this debate, and be able to see past it, which as evidenced in the debate in Cross Talk, Elbow and Bartholomae were not able to do. I feel as if my first personal essay addressed these matters as well, although I did not deal them specific... ...ter good writing. Theories and concepts could be introduced regarding critical analysis, but nothing would be set forth as the proper way to view it. whole of this however, may be too much for first year composition students to h andle. By retention the number of major works to a minimum and keeping the required responses and writing assignments short but quite frequent, hopefully it would be possible to keep things from getting too overwhelming, and keep this debate from rearing its loathsome head.Works CitedBartholomae, David. Writing with Teachers A Conversation with Peter Elbow. Cross Talk in Comp Theory A Reader. Ed. Victor Villanueva, Jr. working capital State University NCTE, 1997.Elbow, Peter. beingness a Writer vs. Being an Academic A Conflict in Goals. Cross Talk in Comp Theory A Reader. Ed. Victor Villanueva, Jr. Washington State University NCTE, 1997.

Nixon: A Presidential Unraveling Essay -- Government

Corruption in politics has never been more notably observable by the American people than that of the Watergate Crisis. Though Nixons involvement of the actual break-in has never been proven, his cover-up of the event and his misuse of electric chairial power were clearly established. oer the course of several years, America would bear witness to scandalous events, the first resignation of a President, conviction and imprisonment of twenty-five officials within the Nixon administration, and undoubtedly the near severe constitutional crisis in recent history. In November of 1968, Richard Nixon claims the presidency for the Republicans in one of the closest elections in U.S. history. His election to office was bolstered by the middle-class world who were fed up with the liberal politics practiced by the Democrats. Ironically, Nixon choice of appointments to the cabinet and White House staff were to ensure restoration of conservative set and carry out his orders with blind obedience . (Tindall 1364). Many of the members appointed would be the same brought up on charges during the Watergate hearings. There had been many questionable judgments made by President Nixon during his time in office. One had been on July 23, 1970 when he notified the FBI, CIA, National Security Agency and Defense Intelligence Agency that he had approved a novel plan for expanding domestic intelligence gathering that included breaking and entering, opening personal mail and interception of communications between U.S. residents and foreign locations. He claims to have subsequently rescinded the order due to protests by FBI Director J. Edgar Hoover. There has been no clear indication that any of the illegal acts suggested by the president were ever carried ou... ...ity meant to bolster Nixons standing for reelection. It is also without question that Nixon knew of the activities and blatantly lied to both the Senate Watergate Committee in addition to the American people. His clear misuse of power prompted a forebode for his impeachment as head of our country and an end to the constitutional crisis he incited. Works CitedTindall, George Brown. Watergate. America A Narrative history. 8th ed. Vol. 2. New York Norton, 2010. 1375-1379. Print.Watergate I The Evidence To Date. while 102.8 (1973) 18. Academic Search Premier. Web. 23 Apr. 2012.The President Gambles On Going Public. Time 103.19 (1974) 22. Academic Search Premier. Web. 23 Apr. 2012.Hufbauer, Benjamin. Watergate. The Nixon Presidential Library And Museum. Journal Of American History 98.3 (2011) 790-796. Academic Search Premier. Web. 23 Apr. 2012.

An Analytical Essay on the Humor in Hamlet :: The Tragedy of Hamlet Essays

An Analytical Essay on the wag in small town Humor was added to juncture by deuce major thoughts, along with Hamlets use of his antic-disposition. These two were the scene amongst Hamlet and Polonius in the library, and the scene with the grave diggers (the clowns). The scene between Hamlet and Polonius took place in Act II Scene 2. In Hamlets first encounter with Polonius, he immediately insulted the old man by trading him a fishmonger. He then quickly changed his opinion and complemented Polonius by calling him an h starst man. Hamlet said, to be honest, as this world goes, is to be one man picked out of decade thousand. As we know Polonius definitely was not such a man. Hamlet was portrayed as a minded(p) lad, who was playing a psychological game with an old bulls eye. He asked Polonius whether or not he had a daughter, pretending he did not know that Ophelia was Poloniuss daughter. When Hamlet was asked about what he was reading, he replied by saying, words, words, words . Throughout this scene, Hamlet revealed himself to Polonius as a mentally unstable man. He was playing a fool himself, while ingeniously apply this to make Polonius look like an even bigger fool. He cleverly insulted Polonius appearances indirectly, by referring to the take for he was reading. According to that book old men had greyness beards, their faces were wrinkled, they had a plentiful lack of wit, and so on. He was describing Polonius exactly. Perhaps the most humorous part took place when Hamlet, while saying, for yourself, sir, shall maturate old as I am, if like a crab you could go backward, he advanced towards Polonius, causing him to walk backwards. Those words and the actions on the submit revealed Hamlet to be a daring young man. When Polonius finally left, Hamlet dropped his pretense and yelled, These tedious old fools. In Act III Scene 2, Hamlet used a recorder, the melodic instrument, as a telescope when Polonius entered the scene. He asked Polonius, Do you s ee yonder cloud thats almost in shape of a camel?. Hamlet always pretend to be the madman in front of Polonius, while he actually made him look like an old fool. The scene with the grave diggers (the clowns), took place in Act V Scene I. The clowns were discussing Ophelias death and were making fun of the case of Sir James Hales, who also drowned himself.An Analytical Essay on the Humor in Hamlet The Tragedy of Hamlet EssaysAn Analytical Essay on the Humor in Hamlet Humor was added to Hamlet by two major scenes, along with Hamlets use of his antic-disposition. These two were the scene between Hamlet and Polonius in the library, and the scene with the grave diggers (the clowns). The scene between Hamlet and Polonius took place in Act II Scene 2. In Hamlets first encounter with Polonius, he immediately insulted the old man by calling him a fishmonger. He then quickly changed his opinion and complemented Polonius by calling him an honest man. Hamlet said, to be honest, as this wo rld goes, is to be one man picked out of ten thousand. As we know Polonius definitely was not such a man. Hamlet was portrayed as a clever lad, who was playing a psychological game with an old fool. He asked Polonius whether or not he had a daughter, pretending he did not know that Ophelia was Poloniuss daughter. When Hamlet was asked about what he was reading, he replied by saying, words, words, words. Throughout this scene, Hamlet revealed himself to Polonius as a mentally unstable man. He was playing a fool himself, while ingeniously using this to make Polonius look like an even bigger fool. He cleverly insulted Polonius appearances indirectly, by referring to the book he was reading. According to that book old men had grey beards, their faces were wrinkled, they had a plentiful lack of wit, and so on. He was describing Polonius exactly. Perhaps the most humorous part took place when Hamlet, while saying, for yourself, sir, shall grow old as I am, if like a crab you could go back ward, he advanced towards Polonius, causing him to walk backwards. Those words and the actions on the stage revealed Hamlet to be a daring young man. When Polonius finally left, Hamlet dropped his pretense and yelled, These tedious old fools. In Act III Scene 2, Hamlet used a recorder, the musical instrument, as a telescope when Polonius entered the scene. He asked Polonius, Do you see yonder cloud thats almost in shape of a camel?. Hamlet always pretended to be the madman in front of Polonius, while he actually made him look like an old fool. The scene with the grave diggers (the clowns), took place in Act V Scene I. The clowns were discussing Ophelias death and were making fun of the case of Sir James Hales, who also drowned himself.

Vouchers Are Not the Solution for Improving Public Schools Essay

Vouchers lead us away from the basic American tradition of a free, quality public education for all(prenominal) student and undermine the kind of comprehensive, systemic schoolhouse reform that is working (Tirozzi, 1997). This quote taken from Gerald Tirozzi, the assistant U.S. secretary of education for elementary and secondary education, sums up the issue of vouchers. Milton Friedman, a free-market theorist, introduced vouchers, which funnel public funds to orphic schools, more than forty age ago (Resnick, 1998). Vouchers redirect money that would have been spent on educating a child in the public school system to a private school of the parents choosing. Voucher utilize is based on two factors, student eligibility and school eligibility. Those students who would be eligible for vouchers are among those in low-income families. School eligibility widely varies state by state. In some states school eligibility is dependant only to nonsectarian private schools, where else where any private school is eligible (Resnick, 1998). Those who support vouchers offer three reasons for their position. One reason being that most public schools are failing, secondly vouchers help the children who use them, and thirdly vouchers create competition that motivates public schools to improve (Resnick, 1998). However, opponents argue that funding should be put toward change the current public school system for the masses instead of allowing a better education to an elite few. Research is largely opposed to vouchers. Vouchers imprudently use public funds to back religious education, degrade public education, and support elitism. Vouchers are set up such that they take money from public school funds and redirect it towards private schools an... ... nations schools are not failing, but would benefit from improvement, the children that do receive the vouchers are but an elite few and the benefits of a private school education as opposed to public has yet to be prove n. Supporters make the last argument that vouchers create competition that motivates the public schools to improve, however at the same time the funding that needs to go towards improvements is being stripped away resulting in deterioration of the public school system. As supported vouchers unfavorably use public funds to back religious education, degrade public education, and support elitism where it should not be. The public school system was created to accept all children no matter what. The system of vouchers causes the school system to take several steps back on the progress it has made as a result of years of struggle to become truly public.

Comparing Carol Ann Duffys Havisham and Robert Brownings The Laborato

Comparing Carol Ann Duffys Havisham and Robert Brownings The LaboratoryIn the metrical composition Havisham, Carol Ann Duffy presents the subject as an old, embittered woman with ropes on the back of her hands. In The Laboratory by Robert Browning the subject is a strong and determined, but very jealous and embittered, fresh woman. Both poems are written in the first person in the form of a dramatic monologue. Carol Ann Duffy writes about the feelings of rejection, isolation and desolation that a woman who has been jilted at the alter by her husband might feel. I think that feelings such as this in both of the poems have been found on either literature or historical events, for example Havisham was most likely based on Miss Havisham, a rich lady in the novel Great Expectations by Charles Dickens and The Laboratory was probably influenced by the celebrated French murderess (who has been said to have poisoned her family).Oxymoronic phrases are used throughout the poem Havisham such as Beloved Sweetheart Bastard and Loves/hate to express the ambivalence that this woman ...

Does Socrates see himself as the most important teacher in the city? :: Essays Papers

Does Socrates see himself as the most important teacher in the city?In Platos Apology of Socrates, Socrates has to indorse himself to the city of Athens. The city of Athens is at odds with Socrates philosophy it contradicted several Athenian beliefs. The city believed that Socrates was an atheist, that he was responsible for corrupting the youth, and that he made the weaker argument the stronger. Socrates believed that he was the most important teacher in the city therefore he continued to defend his actions and beliefs even when his life was on the line. He saw himself as the most important teacher after his visit to the oracle. He believed it was his mission to change the Athenians viewpoints, and he was willing to die for what he believed in. Socrates forced the Athenians to think and to question how they lived their lives. He was a great philosophizer and he knew how important he was to the city.The city did not share Socrates experience view of himself as the most important te acher. They believed his philosophies were evil and they were willing to put him to death for his ideas. In Socrates first defense, he uses the story of the oracular oracle. According to Socrates, the oracle once declared that no one was wiser than Socrates. At first Socrates thought the oracle to be wrong so he began to triumph evidence by conversing with wise people in order to refute the oracle He examined the politicians, poets, and artisans and found that they were almost completely ignorant (except for the artisans, who at least knew well their own areas of expertise), and that all thought they knew things, especially the greatest things, but in fact they did not know them. Since Socrates was at least aware of his own ignorance, he ranked himself above them in wisdom. (18) Thus Socrates began to believe that he was the wisest person in the city. The oracle was a turning point in his life. quite of focusing on astronomical and physical studies, he began to concern himself w ith moral and political opinions this turn to the examination of opinions brought Socrates into conflict with the city as such, for his doubt of the worthy of generally accepted opinions was also a challenge to the most authoritative opinions, those which concern the citys gods and the citys laws(18). The fact that Socrates knew he was the wisest and that he began to concern himself with philosophies of the city shows that he saw himself as the most important teacher in the city.

Archetypes Case Study Essay

1. Which are the archetypes does Verbeke distinguish? Draw the figures associated with these archetypes. Verbeke distguish in the midst of 4 types of archetypes and they are the following Centralized exporter Home landed estate managed trusty. Firm specific gain in its net products. Standardized products manufactured at kin. Only the transferable sloshed specific wagess are taken to the server country, meaning that they try to bugger off exporting successful in international markets. No growing of location bound planetary house specific healthys. world-wide projector Clones home operations into host countries. acquaintance based firm specific advantages are replicated from home country. Only the internationally transferable firm specific advantages are taken to the host country. No development of location bound firms specific advantages. The international projector MNE seeks international expansion by projecting its home country success recipes abroad.International coor dinator Its briny firm specific advantage is that it plunder coordinate location advantages (e.g., production capacity to access abundant natural resources) present in multiple countries. International operations are specialized in specific repute-added activities across borders. Use internationally transferable firm specific advantages in each host country to develop location-bound firm specific advantages that fit the host country location factors.Multi-centered MNE Each host county develops avow location bound firm specific advantages, except transfers warmness routines (e.g., financial management). A set of entrepreneurial subsidiaries go abroad, to acquire knowledge for future firm specific advantage development. Local adaptation is the floor of the international strategy.2. Is there one best computer simulation? Why or why not?There is no best model beca design these models all seem on the firm specific advantages that an organization has its power on, and also on th e host countries appeal for business. Firm specific advantages in the home country give the gate be a success, but the question is if those firm specific advantages are also a success in the host country?3. Do you drive a centralized exporter a true multinational?A centralized exporter can be a true multinational if it derives a quarter of its revenue from operations outside of its home country and also if it operates in different host countries, and its managed by a core headquarter in the home country. Warner Bros. Pictures, a study US motion picture studio is a multinational which is operational through exporting its motion pictures. Most of its revenue is attained from its exports and of course from its home country the US.4. What does it mean that the FSA is embodied in the product in content of an international projector?A product that has embodied a firm specific advantage office that the product contains in it a feature that makes the company with greater success than i ts former competitors. This firm specific advantage cannot be seen as a stand-alone component in the organization, in order to leverage success it can only be seen as a firm specific advantage within its final product. So this firm specific advantage is not from its operations such as great employee relationship, but only through the final product. This is seen in the centralized exporter. In the international projector this is not the case because they replicate their firm specific advantages to go abroad and use them, such as an mod technology or secret recipe like Coca cola has one. A good example is Ford, which cloned its American operations into Canada and Europe. Europe was a take exception for Ford due to a widespread prejudice against American cars sold in Europe.5. Does the firm develop FSAs in the host country in case of the international projector?No the firm which uses the archetype of international projector as a strategy does not develop firm specific advantages in t he host country, what thisorganization do is cloning their home country firm specific advantages to the host countries, so in other speech just using success firm specific advantages from home country to the host country.6. Why is the international coordinator an example of global value chain?The international coordinator archetype is an example of global value chain because it can coordinate different location advantage operations in a wide variety of different geographies in the same period. global value chains now contain activities that are tightly integrated. This means that firms and workers in widely separated locations affect one another more(prenominal) than they bring in the past. So for example BP an international coordinator, when there where oil spills in the Gulf of Mexico, it suddenly affected all other BP operations, because their branding image was looked in a worse way, decreasing its organization reputation.7. Why is a multi-centered MNE characterized by maxim um local reactivity?A multi-centered MNE is characterized by maximum local responsiveness because the foundation of a multi-centered archetype is local adaptation. This local responsiveness is evaluated and analyzed by different entrepreneurial subsidiaries from the organization that go abroad, so that new firm specific advantages can be developed. This newly firm specific advantage in the host country will conform with its host customers and through those means a good local adaptation can be attained.8. The FSA is also framed in terms of core competences. That is the FSA is strongly related to the core competences of a firm. What key characteristics does Verbeke list for these core competences?There are 4 key characteristics of core competences Be difficult for competitors to imitate in terms of achieving the required immanent coordination and learning. Provide potential access to a wide variety of markets Make a significant contribution to customer needs. The loss of a core com petence would have an important negative effect on the firms present and future performance, in terms of value creation.9. What critique does Verbeke have on the concept of core competences?Core competencies are the companys most important FSAs its vital routines and recombination abilities. Recombination abilities are Locating resources, especially knowledge, as response to differences between national and foreign environments, and to satisfy new stakeholders demands. Verbeke has a few critiques regarding the concept of core competences and they are the following Core competences of organizations in industries may differ. Prahalad & Hamel dont include country factors in their analysis. Their theory overestimates the role of strategic management. Strategic management role is to develop strategic architecture. Develop a road function for the future which identifies core competencies to build the required technologies. In the other side their theory underestimates the role of host cou ntry location factors. Another critique from Verbeke is that core competences are historically driven.10. What are the five forces Porter distinguishes? Explain these in your own words. The five forces Porter distinguishes is about how location advantages that affect firm conflict and firm specific advantage development. -Factor conditions This is a force which is related to production factors such as capital, labor, infra bodily structure, scientific knowledge, technology. It gives improvement to problematic issues through innovation and unvarying learning. A good example from the book is In case of Japan, firms in several industries such as steel, shipbuilding and automobiles developed technological and design expertness to overcome a lack of natural resources and the just-in-time production process was pioneered in response to lack of affordable warehousing space. -Demand conditions If customers growth their demand increasing impertinent pressures to firms, then it gives the firm a good competitive advantage. So in order to gain this demand to customers the firm has to innovate and respond to the customer sophism by adapting its technology and design features.This is good for future globalexpansion, because the firm already gains early insights into future needs of customers or in other words buyer sophistication. -Related and supported industries High quality home based suppliers which have great insight into international competition. These suppliers with good know how innovate through more efficient inputs, and spill knowledge between other suppliers within the firm through exchange of ideas, and different ways of communication. This is great for international competition. -Firm strategy, industry structure and rivalry Domestic rivalry is good for international competitiveness. This forces firms to focus on firm specific advantages development beyond their home location advantages. This helps the firm compel an international rival. So this is a wel l-functioning industry. -Government and chance Luck plays a role, for example, a lucky innovation process that was coincidentally created and a valuable product with good technology or process knowledge was attained. This is often a long-term consequence. Government are the general governments of which are not corrupt.11. How does Porters model fit in figure 1.2? Where does it belong?Porters fit model fit in figure 1.2 because the model is all about how to use location advantages to increase competition and force its firm to develop a firm specific advantage in order to go across the international border and use it as a competitive advantage abroad. This firm specific advantage can get them access into the development of a location bound firm specific advantage across borders. I think Porters model fits in the location advantages section at home country triangle and then it moves across to all the other host sections according to its force.12. What is the big problem of Porters mode l when applied in the context of international business?Each industry has its own characteristics leading to different patterns of international competitiveness. According to Verbekes critique, firm specific advantages are home market determined, and Porters model has too much focus on the home market. In international business you need to takeaccount both markets, so the home market as well as the host country. International business is about how to succeed abroad, and only having emphasis on the home market that is not very attainable. Firms only go abroad if they can establish a match between their firm specific advantages and the location advantages to the host markets.

Anthropologists and Ethics

Anthropologists should as much as possible avoid taking part in the facilitation of peace during gird conflicts, especially where troopspeace keeping or combating onesare involved. If fact, these researchers should consider postponing work regarding ethnic conflicts because the environment could not be conducive for research and their induce safety (Eltringham, 2002).The bitterness between the warring groups can easily make it hard for these researchers to carry-out their work without bias, which could lead to equipment casualty reports that may escalate conflicts further. Besides that, it has to be soundless that most of the anthropologists that undertake such projects are not locals they are foreigners from western countries. Their presence could raise eyebrows in some quarters because some locals could fuddle feelings that some western forces are somehow involved with the conflict.The time image for researchers presence could also lead to rushed studies that are not well pre pared. name the Kenyan conflict for instance. The hoidenishs chaos started after presidential elections were supposedly ridged on December 27, 2007 and has already shown signs of subsiding (BBC, 2008). The first three weeks of January 2008 were the most chaotic in the countrys history. Around 300, 000 people were rendered homeless and close to 2, 000 killed (Baldauf, 2008).Luckily, the warring groups have come together to form a coalition government, an act that has resulted to return to normalcy in most parts of the East Africas biggest economy. Now imagine that anthropologists went there in January to work on the Kenyan police force that was involved with quelling uprisings all over the nation. The anthropologists would have started to talk with the youths regarding the cultural history or practices that could have caused the skirmishes.Owing to the fact that the country has 42 ethnic groups (Chanoff, 2008), the venerable anthropologists would have received 42 different answer s. But what if such studies were done in a longer timeframe rather than the 2 months of chaos? There is only one answer anthropologists would have, of course, gotten different answers, but would have a chance to cross reference and know the true answers from the wrong ones.The results that could degenerate from researchers work could lead to more chaos, because there was no time to get the correct information for their study. Working at the right time frame is therefore necessary for anthropologists to get conclusive studies, because they would have learnt different aspects that would help remove some bias.In Kenyas case, no single anthropologist could claim to have understood the cultural roots or historical perspectives of the Kenyan 42 tribes in only two months.The short period of time and the working conditions for anthropological analysis that could help understand possible causes and solutions in these conflicts brings out some ethical concerns that will be detailed in the s ections that follows. These ethics are borrowed from the American anthropological Association (AAA) Code of Ethics (AAA, 2006).

Consider the presentation of Beatrice and Benedick’s relationship early in the play, in particular, how does Shakespeare make Act two Scene 3 entertaining for the audience? Essay

Consider the presentation of Beatrice and benedicts relationship early in the play, in particular, how does Shakespe are make act two mount 3 entertaining for the sense of hearing? Much Ado About Nothing was written by William Shakespeare in the late 1500s, and is set in Messina, Sicily. The play is a comedy, active fill in and deception, and in it we see a battle of the sexes and themes such as, be intimate, hate, jealousy and friendship. The play centres around two relationships, one between sharp-witted Beatrice and light-hearted benedict, and another between little lovers hero and Claudio.To pass time, Don Pedro sets a Lovers Trap for benedick, a bachelor, and Beatrice, his favourite arguing partner. Meanwhile, the evil, Don John conspires to break up champs and Claudios marriage by accusing Hero of having an affair. Shakespeare interweaves two plans in this story which in the end, as the title says all turns out to be Much Ado About Nothing. In the beginning of the pla y Shakespeare presents Benedick as a light-hearted character, he does this by pictureing the audience that Benedick is witty and has clever insults when he is mocking Beatrice, I would that my horse had the speed, and so a good continuer.Shakespeare is preparing the agency for the audience to realise Benedick is perfectly matched with Beatrice way beforehand he does, even when he teases her he uses metaphors and word play, this is a form of dramatic irony. Benedick is the entertainer he uses witty hyperbole to express his feelings. Benedick vows he will not sweep up. He engages in a competition to outwit, Beatrice, but his friends Don Pedro, and Claudio, believe he has deeper feelings for Beatrice. scrap 2 purview 3 ends with a soliloquy if I do not take pity of her, I am a villain If I do not love her, I am a Jew funds 239-240.This line is from Benedicks soliloquy. It shows the audience a different side of Benedick and leaves them, wondering if he will really love Beatrice, o r if he is doing it for himself, his pride and honour. By not having Benedick makes this clear Shakespeare builds tension because the audience left knows that something important has not been said this makes the audience feel involved and manipulates our sympathies. When Benedick hears Claudio, Don Pedro and Leonato discussing Beatrices love for him, Benedick admits to being horribly in love with her, Act 2 Scene 3 Line 215.Beatrice is the niece of Leonato, and is close friends with her cousin Hero, Leonatos daughter. Beatrice is feisty, witty, clever and sharp and Shakespeare portrays her as being almost like the female version of Benedick. Beatrice keeps a merry war of wits, with Benedick. The play suggests that she was once in love with Benedick but that he led her on and their relationship ended. In the comic on that point was a conversation between Don Pedro and Beatrice that suggests this, Don Pedro says You subscribe to lost the heart of Signior Benedick. Beatrice replies I ndeed, my lord, he lent it to me awhile, and I gave him used for it, a double heart for a single on.Marry, once before he won it of me with false dice therefore your Grace may well say I lost it. Act 2 Scene 1 Lines 245 Similar to Benedick, Beatrice refuses to marry because she has not found the perfect, equal partner. Beatrice rages with fury at Claudio for mistreating her cousin, and rebels against the unequal status of women in Renaissance society. For example, in Act 4 scene 1 Line 309-310 she says, O that I were a man for his sake Or that I had any friend would be a man for my sakeAnd in Act 4 Scene 1 Line 313-315 she passionately says I cannot be a man with wishing, therefore I will die a fair sex with grieving This tells us that Beatrice is frustrated because in the Renaissance Society that she lives in women had no equal rights. It also shows the audience that Beatrice is very(prenominal) independent for her time. Early in the play Shakespeare presents Benedick and Beatric e as individuals that will never get married. Beatrice says I had rather hear my dog bark at a crow than a man swear he loves me Act 1 Scene 1 Lines 107-108. Beatrice puts herself out of reach from Benedick and from all men. Benedick also says, It is certain I am loved of all ladies, only you excepted.And I would I could find it in my heart that I had not a hard heart, for truly I love none Act 1 Scene 1 Lines 101- 104, he describes himself to be a ladies man every woman loves him apart from Beatrice. At this point twain of them are sure they will never marry or fall in love. In Act 2 Scene 3, Leonato, Don Pedro and Claudio work together to tense up and convince Benedick that Beatrice is in love with him.Benedick unknowingly finds himself caught in the position of being the one deceived. He thinks that he is eavesdropping on his friends, but, they deliberately babble louder so that he will hear them. In this scene Benedick realises that he is in love with Beatrice. In a soliloquy Benedick says that there is no shame in changing his mind about marriage, and declares, I will be horribly in love with her. the world must be peopled. When I said I would die a bachelor, I did not think I should live till I were married Act 2 scene 3 Lines 207-215.This speech gives the audience an emotional glimpse into Benedicks generous and compassionate heart. Although Beatrice comes across as being very sharp, she is vulnerable. Once she overhears Hero describing that Benedick is in love with her, she opens herself to the sensitiveness and weakness of love. Beatrice is overwhelmed by the fact that Benedick is in love with her, Benedick and Beatrice both change after the frolic. No one can trick you into loving someone you either do or you dont.One of the ways that Shakespeare makes Act 2 Scene 3 entertaining for the audience is by using hyperbole. In this scene Claudio describes Beatrices feelings for Benedick by saying she, Weeps, sobs, beats her heart, tears her hair, prays , curses- O mellisonant Benedick God give me patience Act 2 Scene 3 Lines 140. This use of hyperbole serves two different purposes, firstly Claudio uses it to persuade and convince Benedick of the depth of Beatrices love for him and that what he is overhearing is the truth. Secondly, Shakespeare uses this hyperbole for the audiences benefit to entertain them and to create comedy. It shows Don Pedro, Claudio and Leonato enjoying them at Benedicks expense, exaggerating to show that Beatrice is a mess because she is torn between desperately keeping her feelings secret, and letting Benedick know about her love for him.Don Pedro, Claudio and Leonato realise that they have to be very convincing and put on a good show to fool Benedick. Another way in which Shakespeare makes this scene entertaining for the audience is by having Benedick very quickly change his opinion about love. Part of the comedy in this scene is watching Benedick start off very clear about his life and his position abou t women, and see him at the start of Act 2 Scene 3 mocking men who caper at other men for being in love but then fall in love themselves, and then by the end of Act 2 scene 3, Benedick has fallen in love himself.He is completely changed and has become very romantic, and he has no doubts about his feelings for Beatrice. Shakespeare makes this entertaining for the audience by having Benedick go through a complete change of mind. Shakespeare adds to the entertainment at the end of this scene by having Benedick interpret Beatrices action as evidence of her being in love with him, You Take pleasure then in the message Act 2 Scene 3 Lines 231Beatrice who is exonerated to all of the trickery dismisses him and teases him like she always does, Yea, just so much as you may take upon a knifes point, and choke a daw withal Act 2 Scene 3 Lines 232-323. Beatrice is unaware of any change in Benedick. During the course of the play Shakespeare uses different types of wordplay to convey the charac ters thoughts and feelings he also uses different types of themes such as jealousy, Hate, Love, and self deception. Shakespeare uses a lot of figurative language in his plays this helps to show the characters is feeling and it helps to convey emotional intensity.Beatrice and Benedicks playful relationship is in contrast to the more romantic and serious relationship between Claudio and Hero. Hero and Claudios relationship provides the romantic plot line in the comedy, and they tend to speak in verse. However through the use of language, Shakespeare presents them as being more artificial and sentimental in the way they view love. Three quarters of the play is written in prose, similar in structure to the English spoken today.The use of prose in the play shows the downcast to earth approach of the verbal play fighting between Beatrice and Benedick. Beatrice and Benedick use a lot of prose and most of the plays comedy depends on this. An example of this is in Act 1 Scene 1 Lines 218, B enedick says, If I do, hang me in a bottle like a cat, and shoot me. Here he is saying if he ever falls in love (with Beatrice) then Don Pedro should hang him in a wicker basket, which the Elizabethans used for target utilisation and kill him, like they would kill a cat. In Much Ado About Nothing the use if imagery provides insight into the characters and stirs the audiences imagination. An example of it is when Claudio says, O ay haunt on, stalk on, the fowl sits. Act 2 Scene 3 Lines 90Claudio says this to Don Pedro and Leonato, he is using a metaphor for hunting, and is saying move quietly, they prey does not suspect, and gives the tone that Benedick is their prey, and they are stalking him, getting ready to shoot. This also creates Dramatic Irony as the audience is given information that the characters on stage do not have which creates a sense of anticipation. When Shakespeare wrote Much Ado About Nothing, societys values and traditions were different from what they are now.I n Elizabethan times it was common for, parents and friends to act as matchmakers. They selected the husband, performed careful examination of his economic prospects, and they brought the couple together to find out if there were any strong feelings of nauseate between them, in order to ensure that the couple would get along in marriage. In Much Ado about Nothing this type of arrange relationship is shown between Hero and Claudio. In Elizabethan times parents did not advocate forced marriages because they knew that the best marriages were the ones that were equally consensual and desired by both parties. In the play Hero was happy to marry Claudio, and she accepted the arrangement.

Practice Analysis of ‘Pleasantville’ Movie

Pleasantville is an expertly crafted fool in which one can appreciate and be exposed to the social issues the States faced during the 1950s. The courtroom guesswork towards the end of the film successfully encapsulates the essence of the film a characters transformation from repression to enlightenment. While the costumes present a distinction amongst the ages, the contrasting colours express various emotions of each character. Each character possesses a differing level of awareness about their true roles which become apparent as the film progresses.The use of colour in Pleasantville signifies both personal and political compound. The colours associated with each character are evocative of their personal attributes and self-discovery. Mary carry through is seen wearing blue, a colour which connotes wisdom and understanding. This can be contrasted with how Mary Sue was depicted previously in the film she embodied all that was defile during the 1950s, a socially repressed era. Th e black and white characters reflect a far to a greater extent conservative and traditional take on the world, in their look womens only role is to bear children and to take care of the home.Despite the discrimination against those who are coloured, one cannot deny upon watching the film that they are clearly more liberated and alive. Davids blue shirt mirrors his assertiveness, control, and genuine de bournination to save all those who had not yet discovered their true selves. Bills coloured skin contrasted with his white clothing demonstrates an alternate approach to achieving a coloured world to David, for he remains fairly impartial throughout the court case, emphasising his liking for compromise.The attention to detail of the use of colour throughout the film highlights the racial discrimination and the civil rights movements of the 1950s. It is interesting to remark upon the fact that during the court room scene it is all the coloured characters sitting in the upper gallery , this being where the African-Americans had to sit in US courthouses at that time. With regards to the suppose himself, he appears to be a dupe of his own mania.His violent speech regarding the colours which were used by David and Bill merely reveals the richness of his own repressed emotions. His inherent rage is revealed as he turns from black and white to colour we can appreciate his obstinacy to permit change through this colour transformation. We are positioned with the mint of colour in this narrative. The inexorable regulations of society during the 50s are represented by those painted in black and white, meanwhile those in colour contrast the 50s to depict the liberated 90s.The birth of popular culture erupted during the 1950s Teenagers became more independent of their parents, conflict between the desires of the parents and the teenagers increased and this eventually established the term generation gap to appear in American English during the 1960s. As a consequence of living in an era in which presentation and how people conducted themselves was treated with the upmost reverence, it is imperative to remark upon the use of costume design in the film.Those coloured characters tend to be shown wearing rather more adventurous, agitative outfits, something which would have been frowned upon during this era in which the adaption to the most minor changes such as costume is impossible. The costumes are appropriate to the pseudo-1950s TV-setting. We must remember that the colours and designs are heightened and hypertrophied and are not intended to be naturalistic in order to convey a convincing political argument and emphasise upon the need for change and reform in society.The camera action throughout the film is of notable importance, especially when considering the court room scene. The high angle cam stroke in which the judge looks down on David and Bill portrays the power and dominance of those who have abided by the rules and stuck to the traditi onal conventions of society. However, as David gains confidence he is framed in a low-angle shot thereby making him appear to be the authoritative figure in control. Increasingly, David dominates the frame. The inclusion of the extended close-up shot of George enables the interview to engage with his emotional release.Editing also supports dialog in this clip, an example being when David is speaking of his mother, the film cuts to a shot of Betty. This heightens the emotional essence of the scene, and encourages the audience to applaud Davids courage and essential goodness. Furthermore, redaction also confirms the separation of black and white and colour until the end of the scene when all characters unite and emerge into a coloured world, filled with emotion and diversity. The aim of music in this particular scene differs depending on the emotions of the characters.Music acts as an emotional release laughter within the courtroom at the end of the scene establishes virtuoso amon g the people and signifies the end of the crisis. Moreover, the non-diegetic music of the birds tweeting as the characters exit the court room and are exposed to a coloured world is immensely refreshing and promotes the cerebration of a new beginning. The looks between George and Betty in this scene cannot be ignored, here the non-diegetic music is romantic and underscores the climactic moment in which George turns from black and white to colour.Throughout the film music reflects the mood. The scene at Lovers lane is filmed with rather seductive and sensual music in order to encourage the audience to appreciate that the younger generation were undergoing not only a personal transformation but also embarking on a sexual journey. In conclusion, Pleasantville represents a parody of contemporary problems whilst reflecting common fears and fantasies about behavior, God, and freedom. Essentially sex is equated with freedom.In addition, we can appreciate that pain brings risk but also li beration the art of parable too liberates various characters which we can appreciate is somewhat ironic given the characters themselves are situated in a television programme. Moreover, one cannot deny Pleasantville basically satisfies all expectations with regards to film watching it provides entertainment whilst also sending across a political message and portraying a vivid image of life in the 1950s.

Electronic Patient Scheduling System

All potential stakeholders and/or users will give input regarding which software they feel will lift out suit the clinics needs. Constraints The scheduling system moldiness update on all department computers after any spic-and-span entry has been made. The system must be operational by December 20th, 013. The system must know average interlocking times for all types of visits to avoid over booking patients. The system must alert users of cancellations or changes so 3. Perform fact-finding Analyze the organizational chart of the clinic to determine stakeholders and/or users. Interview receptionists, nurses, doctors and assistants.Review the ongoing paper patient appointment scheduling method. Observe the clinics operations for a day. Survey receptionists, doctors, nurses and assistants on what expectations they may have for an electronic patient appointment scheduling system. Identify the courts of the unfermented electronic system. . Study usability, cost, benefit and schedule data Analyze the interview information. Analyze the user surveys. Analyze observation notes to highlight key facts. Compare cost data. 5. Evaluate feasibility Operational Feasibility Will the clinic users be able to effectively use the newfangled system?Will extra training be needed for computer and software use? The IT department will work with all users through hands on training to make sure that everyone understands the new system. Technical Feasibility Does the clinic have the necessary software, hardware, equipment and networking resources available for the new system? Does the current system need to be upgraded to handle the change effectively? businesslike will upgrade their current computers. Networking resources are currently in place and new software will be purchased.Economic Feasibility Can the clinic afford the new patient appointment scheduling software? Can the clinic afford training for the users? Can the clinic afford new equipment if needed? The clinic has been d iligent in staying within the mete out budget. Training and software will be purchased once all measures have been set in place. Schedule Feasibility Can the clinic stakeholders timeline of December 20th, 2013 be met? . pay recommendations to management I will prepare a written preliminary investigation report and present all of my findings to the clinic stakeholders.Some items to be included Introduction-overview of the report Systems quest Summary-basis of the systems request Findings-results of preliminary investigation and Time and Cost Estimates-cost of acquiring and installing the new system and total cost of ownership during the life of the system. Systems Review The current patient appointment scheduling system at Heartfelt Clinic is paper based. The clinic started out as a small clinic, but it is centrally located nd has since grown tremendously.

Principles of Business Communication

Every client is entitled to the best quality product and service. We, at Stovall Home Products, realize this and eer strive to uphold product excellence and innovation. It was therefore with considerable concern that we recently learned about your unfortunate experience in connection with the economic consumption of our flagship brand, White-n-Brite Liquid Bleach.As you may have read from reputable consumer product rating publications which have given the brand the thumbs-up, it is our common practice to carry out pissed testing, quality control measures, and regular updating of directions to guide consumer usage and care.We thank you for bringing the matter directly to our attention. After careful assessment by our lavation Products Laboratory, we find that the item you had requested Stovall Home Products to refund was made of material not compatible with either dry or liquid bleaches. Moreover, we have publically stated, and indicated in the label directions on White-n-Brite L iquid Bleach, that this product is not to be used as a local spot remover.N mavintheless, we understand the aggravation the incident may have caused you. If you so wish, you can send your personal item, postage-free, to Stovall Home Products and well see what we can do about it.Stovall Home Products definitely does not agree its integrity, regardless of whether it concerns the flagship brand or peeled product innovations. As a token of goodwill, we are enclosing introductory single-use packets of White-n-Brite Bleach Delicates suited for your lingerie and hosiery, as wellspring as in-store coupons of our new Air Fare Home Air Freshener aromas, entitling the bearer to $1 off for every purchase of any three new aromas that include Sea Air, Autumn Spice, Fresh Pine and Spring Flowers.Allow us to do as much as we can for you, as our valued client. let us know if you need further informational details, such as those contained in our free booklets on caring for delicate fabrics, air f reshener or tough sword tips, or any help we can offer on our new products.Yours sincerely,Carol SmithApplying the Principles of Business Communicationsto Writing Negative MessagesUsing the principles of business communication theory gleaned from the readings, I made a conscious effort to avoid phrases that may possibly strike the reader, in this case the customer, as rude, hostile, uncaring, condescending or autocratic (Locker, 2000, p. 67).It struck me that when the customer wrote Stovall Home Products to refund her for her stained jacket, she has somehow already made up her mind that it is the product which is defective, and not her misuse or forethought to check both her garment care tags and the White-n-Brite Liquid Bleach label directions. The likelihood that the customer may be resistant to views not supporting hers counts as one obstacle to be overcome (Locker, 2000, p. 68). I, therefore, used an opening arguing with an area of agreement or a common ground I plainly sh are with the reader (Locker, 2000, p. 68).To make my writing go away like friendly face-to-face discussion, I used words such as we, you, and our for readability, as well as contractions in cases when it will come out more naturally than two short separate words (Burne, 2006, para. 27-29). I likewise took into consideration the vii Cs of business letter writing which are clear, concise, correct, courteous, conversational, convincing and complete (Burne, 2006, para. 4).I avoided stating the negative message outright at the start of the letter, and I agree with one of the main readings on conveying negative information that when the readers ego is on the line, opening with the negative message would violate the readers expectation and damage rapport (Writing Negative Messages, 2002, para. 4). I likewise agree that the more the negative information concerns the reader as a person, the great the need for psychological preparation (Writing Negative Messages, 2002, para. 4).I therefore built up the brand and the long-held tradition of product testing and updating of directions. Soon afterwards, I incorporated a brief buffer (Writing Negative Messages, 2002, para. 7) leading to the finding that negates the customers claim and which forms the key subject or specific concern. I was especially careful to avoid negative transitions like however, but, and point though just before conveying the companys findings that show that the customers demand was off-tangent, because such transitional words signal a turn for the worse (Writing Negative Messages, 2002, para. 8).I also avoided blaming the customer, who is the reader of the letter, for instigating the hassle even if all signs point to it (Writing Negative Messages, 2002, para. 9). Instead of spotlighting the bad news, I positioned it strategically, and since explicit refusals may be unnecessary and at times cruel (Guffey, 2000, p. 290), I opted to imply or indirectly refer to the negative reply without seeming uncl ear about the companys decision, which is not to grant the refund to the customer because the product was not used according to the stated directions.Implication is often an effective way of transmitting an unpleasant idea, that is, the idea is not expressed, yet the liquidator understands (Writing About the Unpleasant, n.d.) based on the incidents and explanations presented. In stating the legitimate reasons for turning down the customers request, I have implied that negative reply and I did not dwell too much on the created problem anymore, proceeding, instead, to further cushioning the impact on the customer and offer a workable alternative.By including the line we understand the aggravation the incident may have caused you, I wanted to show empathy, or placing oneself in the customers shoes to understand how stressed she may be and to understand how natural her reaction was to write the company and request for a refund. On the other hand, I also took note of the fact that th ere is a fine but clear line between being sympathetic about the customers problem, on the one side, and implying or taking responsibility for it, on the other (Erdman & Hildebrandt, 1998, p. 157).It is in this light that I suggested to the customer to send over to Stovall Home Products the stained piece of clothing, and I phrased it to sound non-committal. I tried to be mindful or careful not to take responsibility in circumstances where its not appropriate (Erdman & Hildebrandt, 1998, p. 158). I realize that saying no or refusing a customers undue request serves my organizations welfare and needs (Locker, 2000, p. 214), preventing the setting of a precedent for company liability (Erdman & Hildebrandt, 1998, p. 158). I also tried to show that while the offered course of action may not be perfect, it is the best tooth root currently available (Locker, 2000, p. 68).At this point, my overriding objective, alongside cushioning the impact of the negative reply to the request, has now t urned to educating the reader and reselling the product in question, where a problem spot was encountered, or for new product innovations of the company (Writing Negative Messages, 2002, para. 24). Because I am also trying to change the customers overstrung judgment about the companys flagship brand and attempting to correct this customers understanding of company policy, I deemed it best to let the reader spell face by hinting that changed circumstances call for new attitudes or action (Locker, 2000, p. 68).I then closed on a positive note by offering a counterproposal (Writing About the Unpleasant, n.d.) Maintaining goodwill is very important, especially in the light of the thrusts of a company like Stovall Home Products, which has relied for many decades on customers patriotic support.At no part of the letter was an apology extended, because in so doing, it will serve, not just to trigger future company liability but highlighting the companys acknowledgment of the mistake or wrongdoing, acceptance of responsibility, expression of regret, and assurance that the offense will not be repeated (Kellerman 2006). Except for accept a measure of responsibility in order to maintain positive relationship with the customer, and the expression of regret as a sign of empathy, none of these employ in connection with the Anne Thompsons case.ReferencesErdman, K. & Hildebrandt, H. (1998). Stovall Home Products Practicing prudence to avoidliability. Business Communication Quarterly, 61, 152-163.Guffey, M. (2000). Business communication process & product. Ohio South-Western CollegePublishing.Kellerman, B. (2006). When should a leader apologize and when not? Retrieved may 12, 2008,from https//www.ncbi.nlm.nih.gov/pubmed/16579415Locker, K. (Ed.). (2000). Business and administrative communication. New York McGraw-HillCompanies.Writing Negative Messages. (2002). Retrieved May 9, 2008, fromhttp//homepages.wmich.edu/bowman/badnews.html

Angels Demons Chapter 130-133

cxxxThe camerlegno began to feel the fog of wonder and adrenaline dissipating. As the Swiss Guard helped him graduate the Royal staircase toward the Sistine Chapel, the camerlegno comprehend singing in St. Peters self-coloured and he knew that mountains had been moved.Grazie Dio.He had prayed for strength, and matinee idol had wedded it to him. At secs when he had doubted, paragon had spoken. Yours is a Holy mission, beau ideal had verbalise. I ordain give you strength. Even with idols strength, the camerlegno had tangle business organization, doubting the righteousness of his path.If non you, deity had ch everyenged, then Who?If non now, then When?If not this way, then How?Jesus, God reminded him, had salve them all saved them from their own apathy. With two deeds, Jesus had opened their eyes. revulsion and Hope. The crucifixion and the resurrection. He had changed the adult male. notwithstanding that was millennia ago. Time had eroded the miracle. People had for gotten. They had turned to false idols techno-deities and miracles of the mind. What right ab come extinct of the closet miracles of the unionThe camerlegno had often prayed to God to march him how to make the people believe again. be human faces God had been silent. It was not until the camerlegnos moment of deepest darkness that God had set out to him. Oh, the horror of that nightThe camerlegno could still remember lying on the floor in tattered nightclothes, clawing at his own flesh, trying to purge his soul of the pain brought on by a vile impartiality he had just learned. It piece of tailnot be he had screamed. And yet he knew it was. The deception tore at him standardized the fires of hell. The bishop who had taken him in, the hu opus beings who had been equal a de musical compositiond to him, the clergyman whom the camerlegno had stood beside while he rose to the pontificate was a fraud. A common sinner. Lying to the humankind about a deed so treasonable at its core that the camerlegno doubted plain God could forgive it. Your profanity the camerlegno had screamed at the pope. You broke your vow to God You, of all menThe pope had tried to explain himself, but the camerlegno could not listen. He had run out, astonishing blindly by means of the hallways, vomiting, tearing at his own skin, until he found himself squanderery and al unrivaled, lying on the c old earthen floor sooner St. Peters tomb. Mother Mary, what do I do? It was in that moment of pain and betrayal, as the camerlegno lay devastated in the Necropolis, praying for God to take him from this treasonable world, that God had come.The interpreter in his head resounded like peals of thunder. Did you vow to serve your God?Yes the camerlegno cried out.Would you live for your God?Yes Take me nowWould you give for your perform?Yes Please deliver me scarcely would you die for mankind?It was in the silence that followed that the camerlegno mat up himself go into the abyss. He tumbled farther, faster, out of control. And yet he knew the answer. He had always feeln.Yes he shouted into the alienation. I would die for man Like your son, I would die for themHours later, the camerlegno still lay shivering on his floor. He apothegm his mothers reflection. God has plans for you, she was saying. The camerlegno plunged deeper into madness. It was then God had spoken again. This time with silence. scarcely the camerlegno understood. revivify their trustfulness.If not me then who?If not now then when?As the guards unbolted the door of the Sistine Chapel, Camerlegno Carlo Ventresca matte up the power vestigeing in his veins simply as it had when he was a boy. God had chosen him. Long ago.His ordain be done.The camerlegno felt reborn. The Swiss Guard had bandaged his chest, bathed him, and dressed him in a fresh w realizee linen robe. They had also given him an injection of morphine for the burn. The camerlegno wished they had not given him painkillers. Jesus hightail itd his pain for three days on the crossway He could al supposey feel the drug uprooting his senses a dizzying undertow.As he walked into the chapel, he was not at all surprised to suck in the redbirds staring at him in wonder. They argon in awe of God, he reminded himself. Not of me, but how God works THROUGH me. As he moved up the sum of money aisle, he saw bewilderment in every face. And yet, with each new face he passed, he sensed something else in their eyes. What was it? The camerlegno had tried to imagine how they would receive him tonight. Joyfully? Reverently? He tried to read their eyes and saw neither emotion.It was then the camerlegno looked at the altar and saw Robert Langdon.131Camerlegno Carlo Ventresca stood in the aisle of the Sistine Chapel. The cardinals were all standing near the front of the perform service, turned, staring at him. Robert Langdon was on the altar beside a television that was on end little loop, playing a scene the camerleg no recognized but could not imagine how it had come to be. Vittoria Vetra stood beside him, her face drawn.The camerlegno closed his eyes for a moment, hoping the morphine was making him hallucinate and that when he opened them the scene energy be different. tho it was not.They knew.Oddly, he felt no fear. Show me the way, Father. Give me the words that I can make them see Your vision.But the camerlegno heard no reply.Father, We extradite come too far unneurotic to fail now.Silence.They do not understand what We have done.The camerlegno did not know whose sound he heard in his own mind, but the message was stark.And the truth shall set you freeAnd so it was that Camerlegno Carlo Ventresca held his head senior high as he walked toward the front of the Sistine Chapel. As he moved toward the cardinals, not even the diffused shed light on of the candles could soften the eyes boring into him. Explain yourself, the faces said. pull ahead sense of this madness. Tell us our fears ar gon equipment casualtyTruth, the camerlegno told himself. Only truth. at that place were too many secrets in these skirts one so dark it had driven him to madness. But from the madness had come the light.If you could give your own soul to save millions, the camerlegno said, as he moved down the aisle, would you?The faces in the chapel simply stared. No one moved. No one spoke. Beyond the walls, the joyous strains of claim could be heard in the square.The camerlegno walked toward them. Which is the greater sin? Killing ones enemy? Or standing undue while your true love is strangled? They are singing in St. Peters Square The camerlegno stopped for a moment and gazed up at the ceiling of the Sistine. Michelangelos God was staring down from the darkened vault and He seemed pleased.I could no longer stand by, the camerlegno said. Still, as he drew nearer, he saw no flicker of understanding in anyones eyes. Didnt they see the radiant simplicity of his deeds? Didnt they see the utter wantIt had been so complete(a).The Illuminati. Science and Satan as one.Resurrect the ancient fear. Then crush it.Horror and Hope. Make them believe again.Tonight, the power of the Illuminati had been unleashed anew and with empyrean consequence. The apathy had evaporated. The fear had shot out across the world like a bolt of lightning, uniting the people. And then Gods majesty had vanquished the darkness.I could not stand idly byThe inspiration had been Gods own appearing like a beacon in the camerlegnos night of agony. Oh, this faithless world Someone must(prenominal) deliver them. You. If not you, who? You have been saved for a reason. Show them the old demons. Remind them of their fear. Apathy is death. Without darkness, there is no light. Without evil, there is no advanced. Make them choose. Dark or light. Where is the fear? Where are the heroes? If not now, when?The camerlegno walked up the center aisle directly toward the crowd of standing cardinals. He felt like Mose s as the sea of red sashes and caps parted before him, allowing him to pass. On the altar, Robert Langdon switched rancid the television, took Vittorias hatful, and relinquished the altar. The occurrence that Robert Langdon had survived, the camerlegno knew, could alone have been Gods will. God had saved Robert Langdon. The camerlegno wondered why.The voice that broke the silence was the voice of the precisely charwoman in the Sistine Chapel. You killed my father? she said, measureping forward.When the camerlegno turned to Vittoria Vetra, the look on her face was one he could not quite a understand pain yes, but anger? Certainly she must understand. Her fathers genius was deadly. He had to be stopped. For the good of Mankind.He was doing Gods work, Vittoria said.Gods work is not done in a lab. It is done in the heart.My fathers heart was pure And his research proved His research proved yet again that mans mind is progressing faster than his soul The camerlegnos voice was sh arper than he had evaluate. He lowered his voice. If a man as spiritual as your father could create a weapon like the one we saw tonight, imagine what an ordinary man will do with his technology.A man like you?The camerlegno took a deep breath. Did she not see? Mans morality was not advancing as fast as mans science. Mankind was not spiritually evolved tolerable for the powers he possessed. We have never created a weapon we have not used And yet he knew that antimatter was nothing another(prenominal) weapon in mans already burgeoning arsenal. Man could already destroy. Man learned to kill long ago. And his mothers occupation rained down. Leonardo Vetras genius was dangerous for another reason.For centuries, the camerlegno said, the church building has stood by while science picked away at righteousness bit by bit. Debunking miracles. Training the mind to everyplacecome the heart. Condemning religion as the opiate of the batches. They denounce God as a hallucination a delusio nal crutch for those too weak to comply that life is meaningless. I could not stand by while science presumed to harness the power of God himself Proof, you say? Yes, proof of sciences ignorance What is wrong with the admission that something exists beyond our understanding? The day science substantiates God in a lab is the day people stop needing faithYou mean the day they stop needing the church, Vittoria challenged, moving toward him. Doubt is your last shred of control. It is doubt that brings souls to you. Our need to know that life has meaning. Mans insecurity and need for an enlighten soul assuring him everything is part of a master plan. But the church is not the only educated soul on the planet We all seek God in different ways. What are you unnerved of? That God will show himself somewhere other than inside these walls? That people will induce him in their own lives and leave your antiquated rituals behind? Religions evolve The mind finds answers, the heart grapples w ith new truths. My father was on your quest A parallel path Why couldnt you see that? God is not some almighty authority looking down from above, threatening to throw us into a pit of fire if we disobey. God is the energy that flows by dint of the synapses of our nervous system and the chambers of our hearts God is in all things turn out science, the camerlegno fired back, his eyes showing only pity. Science, by definition, is soulless. Divorced from the heart. In classifyectual miracles like antimatter arrive in this world with no ethical instructions attached. This in itself is perilous But when science heralds its Godless pursuits as the enlightened path? Promising answers to questions whose beauty is that they have no answers? He shook his head. No.There was a moment of silence. The camerlegno felt suddenly tired as he returned Vittorias unbending stare. This was not how it was vatic to be. Is this Gods final test?It was Mortati who broke the spell. The preferiti, he said in a horrified whisper. Baggia and the others. Please tell me you did notThe camerlegno turned to him, surprised by the pain in his voice. Certainly Mortati could understand. Headlines carried sciences miracles every day. How long had it been for religion? Centuries? Religion needed a miracle Something to a inflamen a sleeping world. Bring them back to the path of righteousness. Restore faith. The preferiti were not leaders anyway, they were transformers liberals prepared to embrace the new world and abandon the old ways This was the only way. A new leader. Young. Powerful. Vibrant. Miraculous. The preferiti served the church far to a greater extent effectively in death than they ever could alive. Horror and Hope. Offer four souls to save millions. The world would remember them forever as martyrs. The church would raise glorious tribute to their names. How many thousands have died for the glory of God? They are only four.The preferiti, Mortati repeated.I shared their pain, the camerleg no defended, motioning to his chest. And I too would die for God, but my work is only just begun. They are singing in St. Peters SquareThe camerlegno saw the horror in Mortatis eyes and again felt confused. Was it the morphine? Mortati was looking at him as if the camerlegno himself had killed these men with his bare hands. I would do even that for God, the camerlegno thought, and yet he had not. The deeds had been carried out by the Hassassin a heathen soul tricked into thinking he was doing the work of the Illuminati. I am Janus, the camerlegno had told him. I will prove my power. And he had. The Hassassins hatred had made him Gods pawn.Listen to the singing, the camerlegno said, smiling, his own heart rejoicing. Nothing unites hearts like the presence of evil. Burn a church and the community rises up, holding hands, singing hymns of defiance as they rebuild. smack how they flock tonight. tutelage has brought them home. Forge modern demons for modern man. Apathy is dead. Show t hem the face of evil Satanists lurking among us running our governments, our banks, our schools, threatening to obliterate the very House of God with their misguided science. Depravity runs deep. Man must be vigilant. Seek the goodness. Become the goodnessIn the silence, the camerlegno hoped they now understood. The Illuminati had not resurfaced. The Illuminati were long deceased. Only their apologue was alive. The camerlegno had resurrected the Illuminati as a reminder. Those who knew the Illuminati history relived their evil. Those who did not, had learned of it and were amazed how blind they had been. The ancient demons had been resurrected to awaken an indifferent world.But the brands? Mortatis voice was stiff with outrage.The camerlegno did not answer. Mortati had no way of knowing, but the brands had been confiscated by the Vatican over a degree Celsius ago. They had been locked away, forgotten and dust covered, in the Papal pretermit the Popes private reliquary, deep wi thin his Borgia apartments. The Papal Vault contained those items the church deemed too dangerous for anyones eyes except the Popes.Why did they hide that which inspired fear? Fear brought people to GodThe vaults key was passed down from Pope to Pope. Camerlegno Carlo Ventresca had purloined the key and ventured inside the myth of what the vault contained was capture the original manuscript for the fourteen unpublished books of the Bible known as the Apocrypha, the third prophecy of Fatima, the scratch line two having come true and the third so terrifying the church would never reveal it. In addition to these, the camerlegno had found the Illuminati Collection all the secrets the church had uncovered after banishing the group from Rome their bastardly Path of Illumination the cunning deceit of the Vaticans head artist, Bernini Europes top scientists mocking religion as they in secret assembled in the Vaticans own Castle St. Angelo. The collection included a pentagon box contai ning iron brands, one of them the mythical Illuminati Diamond. This was a part of Vatican history the ancients thought best forgotten. The camerlegno, however, had disagreed.But the antimatter Vittoria demanded. You risked destroying the VaticanThere is no risk when God is at your side, the camerlegno said. This cause was His.Youre insane she seethed.Millions were saved.People were killedSouls were saved.Tell that to my father and Max KohlerCERNs arrogance needed to be revealed. A droplet of liquid that can vaporize a half mile? And you call me mad? The camerlegno felt a rage rising in him. Did they think his was a simple charge? Those who believe allow great tests for God God asked Abraham to sacrifice his child God commanded Jesus to endure crucifixion And so we hang the symbol of the crucifix before our eyes bloody, painful, agonizing to remind us of evils power To grasp our hearts vigilant The scars on Jesus body are a living reminder of the powers of darkness My scars are a living reminder Evil lives, but the power of God will overcomeHis shouts echoed off the back wall of the Sistine Chapel and then a profound silence fell. Time seemed to stop. Michelangelos Last plan rose ominously behind him Jesus casting sinners into hell. Tears brimmed in Mortatis eyes.What have you done, Carlo? Mortati asked in a whisper. He closed his eyes, and a tear rolled. His Holiness?A collective sigh of pain went up, as if everyone in the room had forgotten until that very moment. The Pope. Poisoned.A vile liar, the camerlegno said.Mortati looked bust. What do you mean? He was reasonable He loved you.And I him. Oh, how I loved him But the deceit The broken vows to GodThe camerlegno knew they did not understand right now, but they would. When he told them, they would see His Holiness was the most nefarious deceiver the church had ever seen. The camerlegno still remembered that terrible night. He had returned from his trip to CERN with news of Vetras Genesis and of anti matters horrific power. The camerlegno was certain the Pope would see the perils, but the Holy Father saw only hope in Vetras lose itthrough. He even suggested the Vatican fund Vetras work as a gesture of goodwill toward spiritually based scientific research. furor The church investing in research that threatened to make the church obsolete? Work that spawned weapons of mass destruction? The bomb that had killed his motherBut you cant the camerlegno had exclaimed.I owe a deep debt to science, the Pope had replied. Something I have hidden my entire life. Science gave me a gift when I was a young man. A gift I have never forgotten.I dont understand. What does science have to offer a man of God?It is complicated, the Pope had said. I will need time to make you understand. But first, there is a simple fact about me that you must know. I have unploughed it hidden all these course of studys. I believe it is time I told you.Then the Pope had told him the astonishing truth.132The camerle gno lay curled in a ball on the dirt floor in front of St. Peters tomb. The Necropolis was cold, but it helped clot the blood flowing from the wounds he had torn at his own flesh. His Holiness would not find him here. Nobody would find him hereIt is complicated, the Popes voice echoed in his mind. I will need time to make you understandBut the camerlegno knew no amount of time could make him understand.Liar I believed in you GOD believed in youWith a single sentence, the Pope had brought the camerlegnos world crashing down around him. Everything the camerlegno had ever believed about his mentor was shattered before his eyes. The truth drilled into the camerlegnos heart with such force that he staggered backward out of the Popes office and vomited in the hallway.Wait the Pope had cried, chasing after him. Please let me explainBut the camerlegno ran off. How could His Holiness expect him to endure any more? Oh, the wretched depravity of it What if someone else found out? Imagine the d esecration to the church Did the Popes holy vows mean nothing?The madness came quickly, scream in his ears, until he awoke before St. Peters tomb. It was then that God came to him with an awesome fierceness.Yours is a Vengeful GodTogether, they made their plans. Together they would protect the church. Together they would restore faith to this faithless world. Evil was everywhere. And yet the world had become immune Together they would unveil the darkness for the world to see and God would overcome Horror and Hope. Then the world would believeGods first test had been less horrible than the camerlegno imagined. Sneaking into the Papal bed chambers filling his syringe covering the deceivers mouth as his body spasmed into death. In the moonlight, the camerlegno could see in the Popes wild eyes there was something he wanted to say.But it was too late.The Pope had said enough.133The Pope fathered a child.Inside the Sistine Chapel, the camerlegno stood unwavering as he spoke. louvre soli tary words of astonishing disclosure. The entire assembly seemed to recoil in unison. The cardinals accusing miens evaporated into aghast stares, as if every soul in the room were praying the camerlegno was wrong.The Pope fathered a child.Langdon felt the shock wave hit him too. Vittorias hand, tight in his, jolted, while Langdons mind, already numb with unanswered questions, wrestled to find a center of gravity.The camerlegnos remark seemed like it would hang forever in the air above them. Even in the camerlegnos frenzied eyes, Langdon could see pure conviction. Langdon wanted to disengage, tell himself he was lost in some grotesque nightmare, soon to wake up in a world that made sense.This must be a lie one of the cardinals yelled.I will not believe it another protested. His Holiness was as devout a man as ever livedIt was Mortati who spoke next, his voice thin with devastation. My friends. What the camerlegno says is true. Every cardinal in the chapel spun as though Mortati had just shouted an obscenity. The Pope indeed fathered a child.The cardinals blanched with dread.The camerlegno looked stunned. You knew? But how could you possibly know this?Mortati sighed. When His Holiness was elected I was the Devils exhort.There was a communal gasp.Langdon understood. This meant the information was probably true. The infamous Devils Advocate was the authority when it came to scandalous information inside the Vatican. Skeletons in a Popes closet were dangerous, and prior to elections, secret inquiries into a candidates background were carried out by a lone cardinal who served as the Devils Advocate that individual amenable for unearthing reasons why the eligible cardinals should not become Pope. The Devils Advocate was appointed in advance by the rule Pope in preparation for his own death. The Devils Advocate was never supposed to reveal his identity. Ever.I was the Devils Advocate, Mortati repeated. That is how I found out.Mouths dropped. Apparently tonight wa s a night when all the rules were going out the window.The camerlegno felt his heart filling with rage. And you told no one?I confronted His Holiness, Mortati said. And he confessed. He explained the entire story and asked only that I let my heart guide my decision as to whether or not to reveal his secret.And your heart told you to get down the information?He was the runaway favorite for the papacy. People loved him. The scandal would have hurt the church deeply.But he fathered a child He broke his sacred vow of celibacy The camerlegno was screaming now. He could hear his mothers voice. A promise to God is the most important promise of all. Never break a promise to God. The Pope broke his vowMortati looked delirious with angst. Carlo, his love was chaste. He had broken no vow. He didnt explain it to you?Explain what? The camerlegno remembered running out of the Popes office while the Pope was calling to him. permit me explainSlowly, sadly, Mortati let the tale unfold. Many years ago, the Pope, when he was still just a priest, had go in love with a young nun. Both of them had taken vows of celibacy and never even considered falling out their covenant with God. Still, as they fell deeper in love, although they could resist the temptations of the flesh, they both found themselves longing for something they never expected to participate in Gods ultimate miracle of creation a child. Their child. The yearning, especially in her, became overwhelming. Still, God came first. A year later, when the frustration had reached almost unbearable proportions, she came to him in a whirl of excitement. She had just read an article about a new miracle of science a process by which two people, without ever having sexual relations, could have a child. She sensed this was a sign from God. The priest could see the happiness in her eyes and agreed. A year later she had a child through the miracle of artificial inseminationThis cannot be true, the camerlegno said, panicked, hop ing it was the morphine washing over his senses. Certainly he was hearing things.Mortati now had tears in his eyes. Carlo, this is why His Holiness has always had an heart and soul for the sciences. He felt he owed a debt to science. Science let him experience the joys of fatherhood without breaking his vow of celibacy. His Holiness told me he had no regrets except one that his advancing stature in the church prohibited him from being with the woman he loved and seeing his infant grow up.Camerlegno Carlo Ventresca felt the madness setting in again. He wanted to claw at his flesh. How could I have known?The Pope committed no sin, Carlo. He was chaste.But The camerlegno searched his anguished mind for any kind of rationale. Think of the chance of his deeds. His voice felt weak. What if this whore of his came forward? Or, heaven forbid, his child? Imagine the shame the church would endure.Mortatis voice was tremulous. The child has already come forward.Everything stopped.Carlo? Mort ati crumbled. His Holinesss child is you.At that moment, the camerlegno could feel the fire of faith dim in his heart. He stood trembling on the altar, framed by Michelangelos towering Last Judgment. He knew he had just glimpsed hell itself. He opened his mouth to speak, but his lips wavered, soundless.Dont you see? Mortati choked. That is why His Holiness came to you in the infirmary in Palermo when you were a boy. That is why he took you in and raised you. The nun he loved was female horse your mother. She left the nunnery to raise you, but she never abandoned her strict devotion to God. When the Pope heard she had died in an explosion and that you, his son, had miraculously survived he swore to God he would never leave you alone again. Carlo, your parents were both virgins. They kept their vows to God. And still they found a way to bring you into the world. You were their miraculous child.The camerlegno covered his ears, trying to block out the words. He stood paralyzed on the a ltar. Then, with his world yanked from beneath him, he fell violently to his knees and let out a wail of anguish.Seconds. Minutes. Hours.Time seemed to have lost all meaning inside the four walls of the chapel. Vittoria felt herself slowly breaking free of the paralysis that seemed to have gripped them all. She let go of Langdons hand and began moving through the crowd of cardinals. The chapel door seemed miles away, and she felt like she was moving underwater slow motion.As she maneuvered through the robes, her motion seemed to pull others from their trance. Some of the cardinals began to pray. Others wept. Some turned to watch her go, their blank expressions turning slowly to a foreboding cognition as she moved toward the door. She had almost reached the back of the crowd when a hand caught her arm. The touch was frail but resolute. She turned, face to face with a wizened cardinal. His visage was clouded by fear.No, the man whispered. You cannot.Vittoria stared, incredulous.Anothe r cardinal was at her side now. We must think before we act.And another. The pain this could causeVittoria was surrounded. She looked at them all, stunned. But these deeds here today, tonight certainly the world should know the truth.My heart agrees, the wizened cardinal said, still holding her arm, and yet it is a path from which there is no return. We must consider the shattered hopes. The cynicism. How could the people ever trust again?Suddenly, more cardinals seemed to be blocking her way. There was a wall of black robes before her. Listen to the people in the square, one said. What will this do to their hearts? We must exercise prudence.We need time to think and pray, another said. We must act with foresight. The repercussions of thisHe killed my father Vittoria said. He killed his own fatherIm certain he will pay for his sins, the cardinal holding her arm said sadly.Vittoria was certain too, and she intended to ensure he paid. She tried to push toward the door again, but the c ardinals huddled closer, their faces frightened.What are you going to do? she exclaimed. Kill me?The old men blanched, and Vittoria immediately regretted her words. She could see these men were gentle souls. They had seen enough violence tonight. They meant no threat. They were simply trapped. Scared. Trying to get their bearings.I want the wizened cardinal said, to do what is right.Then you will let her out, a deep voice declared behind her. The words were steady but absolute. Robert Langdon arrived at her side, and she felt his hand take hers. Ms. Vetra and I are leaving this chapel. Right now.Faltering, hesitant, the cardinals began to step aside.Wait It was Mortati. He moved toward them now, down the center aisle, leaving the camerlegno alone and defeated on the altar. Mortati looked senior(a) all of a sudden, wearied beyond his years. His motion was burdened with shame. He arrived, putting a hand on Langdons shoulder and one on Vittorias as well. Vittoria felt sincerity in h is touch. The mans eyes were more tearful now.Of course you are free to go, Mortati said. Of course. The man paused, his grief almost tangible. I ask only this He stared down at his feet a long moment then back up at Vittoria and Langdon. Let me do it. I will go into the square right now and find a way. I will tell them. I dont know how but I will find a way. The churchs confession should come from within. Our failures should be our own to expose.Mortati turned sadly back toward the altar. Carlo, you have brought this church to a disastrous juncture. He paused, looking around. The altar was bare.There was a rustle of cloth down the side aisle, and the door clicked shut.The camerlegno was gone.

Out of Time

Out of while is a numbers written by Kenneth Slessor and is integrity of his personally preferred poems to date he has written. metre is personified in this poem, but also associated with the natural phenomenon of water, or vessels such as yachts seen on Slessors favorite location, Sydney Harbor (which is itself personified). Personification gives immediacy to an abstraction such as time, and elicits evaluative responses which are more sensory than an address to an abstraction could ever be. So Slessor finds that succession enfolds me in its bed, but in the adjacent line it is the bony knife which runs me through.Seeing time e verywhere, he notes that it feeds through all things and his heart rebukes him era flows, not you. Kenneth Slessor constantly reminds us during the archetypical part of the poem that time itself cannot be slowed down or stopped it is just a force that never stops or runs out. He seems pessimistic some the subject of Time though, as he constantly keeps repeating himself which is why he chose the title for the poem as, Out of Time because no matter what, Time will never stop for anyone or anything.He is the pawn of Time whose mastery is complete and indifferent to his emotions it drills me, drives through bone and vein, just as water bends the seaweeds in the sea. Time may be cruelly dominant, but the speakers view of himself is worse the tide goes over but the weeds remain. Yet the engagement with Time and its indifference to us. In both senses, we are, Out of Time that is, at once part of its scheme, but indeed abandoned by it and also (as in music) out of kilter with its rhythms and purposes.Contrastingly, in the second section, Time is straightway seen at a disadvantage (which, again, is given immediacy by personification). Time, always flowing, cannot abide in the pleasing trices it affords. Ever changing, he is subservient to to-morrow and deaf to the entreaties of such as beauty, urging him to be tranquilize. Thi s is his fate. Slessors execration of Time intensifies as the stanzas proceed, as he proceeds himself through a depressing sequence of dead nows and heres He keeps appointment with a million old age.In contrast, by implication, our limited human experience now begins to appear preferable I and the moment laugh, and let him go, / Leaning against his golden undertow. Thesis and antithesis antici silkye synthesis. Slessors threefold ordering of the poem has the twist of an argument. Accordingly, the third section celebrates what the first section denigrated the moment out of time that liberates us from our time-bound world.Cleverly, Slessor takes a vocalize separate from language to celebrate this escape from ordinariness. The speaker, so critical of himself earlier, now celebrates himself as part of a dispensation that is fleshless and ageless, changeless and made free. His heart, in a rhetorical question, inquires Fool, would you leave this country? But, as the first word sugges t, it is not finally a rhetorical query, as the poem, in closing, returns to its beginning.Times ever-flowing processes cannot be resisted I was taken by the suck of sea, and mortality is grimly recovered is grimly recovered, on with the original imagery of the first section in a rhyming couplet that is too pat The gulls go down, the body dies and rots, / And Time flows past them like a hundred yachts. In my opinion this is one of my favorite poems of Kenneth Slessor so far, as all 3 parts interconnect with each other which allows for very deep and meaningful analysis. He also discusses and describe that time cannot be controlled or stopped, it only flows on which most people and including me, can instantly relate to.

Boo Radley

Everybody in Maybcomb Countys impression of me, Arthur snicker Radley, is through neighborhood fairy tales Im described as someone defenseless to bon tons significant judgment. Everybody thinks of me as a monster, theyre exclusively petrified of me. I cant actually say I blame them though anybody would be untamed if they were kept in here as long as Ive been. Ive heard a fewer rumors ab break through me the one that infatuated me the most was the one rumor where I apparently stabbed my dad with a pair of scissors in his leg what kind of person would make such lie up?I have no doubts that all of Maycomb County believe what they think is the truth, but its utterly crazy how somebody would go that farthermost to make something like that up. Wouldnt you stay in the house if you didnt want to count protrude? (Chapter 5, p. 58). I wanted too I really did want to come go forth for once I do absolutely nonhing all day long, spending it notwithstanding with me, myself and I. Im qualified from reading the newspaper, watching television, going divulge on the front porch or even opening a near by window for a breath of fresh air.I feel like Im in prison in fact, I literally am Jem gave a reasonable definition of Boo Boo was about six-and-a-half feet tall, judging from his tracks he dined on huffy squirrels and any cats he would catch, thats why his hands were bloodstained if you ate an animal raw, you could never brush the blood off. There was a long jagged scar that ran across his face what teeth he had were yellow and rotten his eye popped, and he drooled most of the fourth dimension. (Chapter 1, p. 6). I look nothing like that everything is quite an the opposite to be honest. Im six1, I eat normal food, like all normal people I brush my teeth everyday which makes them white, not yellow and I absolutely do not drool.And how would they hunch over that my hands were bloodstained or not? Did they not mention that cypher has seen me in approximately 15 years? It all meet doesnt make sense to me in some manner people in Maycomb County approve and believe the little myths about me. Inside the house lived a malign phantom (Chapter 1, p. 10). Me? A malign phantom? They clearly have no idea what theyre public lecture about last time I checked, I was human. Just because nobody has seen me in a objet dart that doesnt mean Ive turned into a ghost over the years. These people all equitable dont attain it. They dont understand the fact that Im a somebody that Im pretty much the same like everybody else other than the fact that I havent been out of my house for about 15 years.They dont understand that I have feelings as rise up everything they say, all the rumors and little stories of theirs offends me. I just hope that everybody in Maycomb County realizes and finds out somehow who I real am. That Im a human, just like they all are, not some kind of a monster, who goes out at night, and eats children and cats or whatever their nonsense is. And maybe, just maybe, I have the braveness one day to finally get out of the house, go out in the open, where every adept neighbor of mine can see me, and show people who I really am.Boo RadleyEverybody in Maybcomb Countys impression of me, Arthur Boo Radley, is through neighborhood fairy tales Im described as someone defenseless to societys significant judgment. Everybody thinks of me as a monster, theyre all petrified of me. I cant really say I blame them though anybody would be crazy if they were kept in here as long as Ive been. Ive heard a few rumors about me the one that struck me the most was the one rumor where I apparently stabbed my dad with a pair of scissors in his leg what kind of person would make such lie up?I have no doubts that all of Maycomb County believe what they think is the truth, but its absolutely crazy how somebody would go that far to make something like that up. Wouldnt you stay in the house if you didnt want to come out? (Chapter 5, p. 58). I wanted too I really did want to come out for once I do absolutely nothing all day long, spending it only with me, myself and I. Im restricted from reading the newspaper, watching television, going out on the front porch or even opening a near by window for a breath of fresh air.I feel like Im in prison in fact, I literally am Jem gave a reasonable description of Boo Boo was about six-and-a-half feet tall, judging from his tracks he dined on raw squirrels and any cats he would catch, thats why his hands were bloodstained if you ate an animal raw, you could never wash the blood off. There was a long jagged scar that ran across his face what teeth he had were yellow and rotten his eyes popped, and he drooled most of the time. (Chapter 1, p. 6). I look nothing like that everything is quite the opposite to be honest. Im six1, I eat normal food, like all normal people I brush my teeth everyday which makes them white, not yellow and I absolutely do not drool.And how would they kno w that my hands were bloodstained or not? Did they not mention that nobody has seen me in approximately 15 years? It all just doesnt make sense to me somehow people in Maycomb County enjoy and believe the little myths about me. Inside the house lived a malevolent phantom (Chapter 1, p. 10). Me? A malevolent phantom? They clearly have no idea what theyre talking about last time I checked, I was human. Just because nobody has seen me in a while that doesnt mean Ive turned into a ghost over the years. These people all just dont get it. They dont understand the fact that Im a somebody that Im pretty much the same like everybody else other than the fact that I havent been out of my house for about 15 years.They dont understand that I have feelings as well everything they say, all the rumors and little stories of theirs offends me. I just hope that everybody in Maycomb County realizes and finds out somehow who I truly am. That Im a human, just like they all are, not some kind of a monste r, who goes out at night, and eats children and cats or whatever their nonsense is. And maybe, just maybe, I have the courage one day to finally get out of the house, go out in the open, where every single neighbor of mine can see me, and show people who I really am.

The Lost Duke of Wyndham Chapter Eighteen

Three minutes, rascal utter, the moment he pulled the door shut. Because truly, he did non think he could extreme any yearner than that. Not when she was dressed in her nightg sustain. It was an noisome thing, re bothy, all rough and hardlyt whizzd from chin to toe, but still, it was a nightgown.And she was Grace.You leave never believe what has happened, she said. unremarkably an excellent opening, he acknowledged, but after everything that has happened in the last two weeks, I find myself free to believe al honourable closely anything. He smiled and shrugged. Two pints of fine Irish ale had made him mellow. scarce and so she told him the most amazing story. Thomas had given her a bungalow and an income. Grace was now an independent cleaning cleaning woman. She was free of the dowager.Jack lit the lamp in his room, listening to her excitement. He mat up a prickle of jealousy, though non because he did not think she should be receiving gifts from another man the trut h was, shed more(prenominal) than earned anything the duke chose to portion run into to her. Five years with the dowager Good God, she ought to be given a title in her own set as penance for such(prenominal) as that. No one had done more for England.No, his jealousy was a far more basic pillowcasee. He heard the joy in her example, and once hed banished the dark of the room, he saw the joy in her eyeball. And quite simply, it save felt wrong that someone else had given her that.He valued to do it. He cute to light her eyes with exhilaration. He valued to be the removeset of her smile.I leave alone still take up to go with you to County Cavan, Grace was saying. I cant stay here by myself, and I wouldnt want Amelia to be alone. This is all terribly tricky for her, you know.She looked up at him, so he nodded in response. Truthfully, he hadnt been thinking very much of Amelia, selfish as that was.Im sure it will be awkward with the dowager, Grace continued. She was furi ous.I can imagine, Jack murmured.Oh, no. Her eyes grew very wide. This was extraordinary, flush for her.He pondered that. I am not certain if I am sorry or relieved that I missed it.It was probably for the best that you were not present, Grace replied, grimacing. She was rather unkind.He was about to say that it was challenging to imagine her any other modality, but Grace suddenly brightened and said, precisely do you know, I dont bring turned She giggled past, the heady sound of someone who cant quite believe her good fortune.He smiled for her. It was infectious, her happiness. He did not destine that she should ever live apart from him, and he rather suspected that Thomas had not given her the cottage with the intention that she live in that respect as Mrs. Jack Audley, but he understood her delight. For the first duration in years, Grace had something of her own.Im sorry, she said, but she could not quite hide her smile. I should not be here. I didnt mean to wait up for you, but I was just so excited, and I valued to utter you, because I knew youd understand.And as she stood in that respect, her eyes shining up at him, his demons slipped a charge, one by one, until he was just a man, standing before the woman he acknowledged. In this room, in this minute, it didnt matter that he was anchor in Ireland, that at that place were so many bloody reasons he should be running for the door and decision passage on the conterminous ship to anyplace.In this room, in this minute, she was his everything.Grace, he said, and his get through with(predicate) rose to doctor her cheek. She curled into it, and in that moment he knew he was lost. Whatever strength hed theory he possessed, any(prenominal) will to do the right thing It was gone.Kiss me, he whispered.Her eyes widened.Kiss me.She wanted to. He could see it in her eyes, feel it in the air around them.He leaned subdue, closerbut not adequacy so their lips touched. Kiss me, he said, one last time. She rose on her toes. She moved nonentity else her hands did not come up to caress him, she did not lean in, allowing her body to rest against his. She just rose on her toes until her lips brushed his.And therefore she backed away.Jack? she whispered.I He just about said it. The words were right there, on his lips. I love you. but somehow he knew he had no conception how, just that he did if he said it then(prenominal), if he gave voice to what he was certain she knew in her heart, it would scare her away.Stay with me, he whispered. He was through being noble. The current Duke of Wyndham could spend his life doing naught but the right thing, but he could not be so unselfish.He kissed her hand.I shouldnt, she whispered.He kissed her other hand.Oh, Jack.He raised them both to his lips, place them to his formulation, inhaling her scent.She looked at the door.Stay with me, he said again. And then he touched her chin, tipped her face gently up, and laid one soft kiss on her lips. Stay.He watched her face, saw the conflicted shadows in her eyes. Her lips trembled, and she turned away from him before she spoke.If I Her voice was a whisper, perilous and unsure. If I stayHe touched her chin but did not guide her back to face him. He waited until she was ready, until she turned on her own.If I stay She swallowed, and shut her eyes for a moment, as if elicitation courage. Can youIs there a way you can form sure there is no fry?For a moment he could not speak. Then he nodded, because yes, he could make sure there was no baby.He had spent his adult life making sure there would be no babies.But that had been with women he did not love, women he did not intend to adore and worship for the rest of their lives. This was Grace, and the idea of making a baby with her suddenly burned within him give care a shining, magical dream. He could see them as a family, laughing, teasing. His own childhood had been like that loud and boisterous, racing across handle w ith his cousins, fishing in streams and never catching a thing. Meals were never formal affairs the icy gatherings at Belgrave had been as foreign to him as a Chinese banquet.He wanted all of that, and he wanted it with Grace. Only he hadnt established just how much until this very moment.Grace, he said, holding her hands tightly. It does not matter. I will marry you. I want to marry you.She shook her head, the motion fast and jerky, close to frenzied. No, she said. You cant. Not if you are the duke.I will. And then, damn it all, he said it anyway. Some things were too big, too true, to abide by inside. I love you. I love you. I restrain never said that to another woman, and I never will. I love you, Grace Eversleigh, and I want to marry you.She shut her eyes, looking almost pained. Jack, you cant I can. I do. I will.Jack I am so tired of everyone telling me what I cannot do, he burst out, allowting go of her hands to stalk across the room. Do you understand that I dont care? I dont care about the bloody dukedom and I certainly dont care about the dowager. I care about you, Grace. You.Jack, she said again, if you are the duke, you will be pass judgment to marry a woman of high birth.He swore under his breath. You speak of yourself as if you were some dockside whore.No, she said, trying to be patient, I do not. I know exactly what I am. I am an impoverished young madam of impeccable but undistinguished birth. My father was a province gentleman, my mother the daughter of a country gentleman. We have no connections to the aristocracy. My mother was the second cousin to a baronet, but that is all.He stared at her as if he hadnt heard a word shed said. Or as if hed heard but hadnt listened.No, Grace fancy miserably. Hed listened but he hadnt heard. And sure plentiful, the first words from his embouchure were I dont care.But everyone else does, she persisted. And if you are the duke, there will be enough of an uproar as it is. The scandal will be amazin g.I dont care.But you should. She stopped, forcing herself to take a breath before she continued. She wanted to grab her head and press her fingers into her scalp. She wanted to make fists until her fingernails bit into her skin. Anything anything that would eat away at this awful frustration that was pulling her inside out.Why wasnt he listening? Why couldnt he hear that Grace he began.No She cut him off, perhaps more loudly than she ought, but it had to be said You will need to tread carefully if you wish to be accepted into company. Your wife does not have to be Amelia, but it must be someone like her. With a similar background. Otherwise Are you listening to me? he cut in. He grasped her shoulders, holding her in place until she looked up at him, directly into his eyes. I dont care about otherwise. I dont need for society to accept me. All I need is you, whether I live in a castle, a hovel, or anything in between.Jack she began. He was being naive. She loved him for it, nea rly wept with joy that he adored her enough to think he could so thoroughly flout convention. But he didnt know. He had not lived at Belgrave for five years. He had not traveled to London with the dowager and seen firsthand what it meant to be a member of such a family. She had. She had watched, and she had observed, and she knew exactly what was expected of the Duke of Wyndham. His duchess could not be a nobody from the neighborhood. Not if he expected anyone to take him seriously.Jack, she said again, trying to find the right words. I wish Do you love me? he cut in.She froze. He was staring at her with an intensity that left her breathless, immobile.Do you love me?It doesnt Doyoulove me?She closed her eyes. She didnt want to say it. If she did, she would be lost. She would never be able to resist him his words, his lips. If she gave him this, she would lose her last defense.Grace, he said, cradling her face in his hands. He leaned down and kissed her once, with aching tenderne ss. Do you love me?Yes, she whispered. Yes.Then that is all that matters.She undetermined her lips to try one last time to talk sense into him, but he was already kissing her, his mouth hot and passionate on her own.I love you, he said, kissing her cheeks, her brows, her ears. I love you.Jack, she whispered, but her body had already begun to hum with desire. She wanted him. She wanted this. She did not know what tomorrow would bring, but at this moment she was willing to pretend that she did not care. As great as forestall me, she said urgently, grasping his face firmly in her hands. Please. Promise me that there will be no baby.His eyes shuttered and flared, but last he said, I promise you I will try.You will try? she echoed. Surely he would not lie about this. He would not ignore her acknowledgment and later pretend that hed tried.I will do what I know how to do. It is not completely foolproof.She disentangled her grip and showed her acquiescence by allowing her fingers to tr ail along his cheeks.Thank you, she whispered, leaning up for a kiss.But I promise you this, he said, sweeping her into his arms, you will have our baby. I will marry you.No matter who I am, or what my name is, I will marry you.But she no longer had the will to argue with him. Not now, not when he was carrying her to his bed. He laid her down atop the covers and stepped back, rapidly undoing the top buttons of his shirt so he could pull it over his head.And then he was back, half(a) beside her, half atop her, kissing her as if his life depended upon it. My God, he almost grunted, this thing is ugly, and Grace could not help but giggle as his fingers attempted to do their magic on her buttons. He let out a frustrated growl when they did not comply, and he actually grasped the two sides of her nightgown, clear intending to change state it apart and let the buttons fly where they might.No, Jack, you cant She was laughing as she said it she didnt know why it was so ludicrous surel y de-flowerings were meant to be serious, life-altering affairs. But there was so much joy bubbling within her.It was difficult to keep it contained. Especially when he was trying so hard to complete such a bare(a) task and failing so miserably.Are you sure? His face was almost comical in its frustration. Because I am fairly certain that I do a service to all mankind by destroying this.She tried not to laugh. Its my only nightgown.This, he appeared to find interesting. Are you saying that if I tear it off, you will have to sleep naked for the duration of our journey?She quickly moved his hand from her bodice. Dont, she warned him.But its so tempting.JackHe sat back on his heels, gazing down at her with a mixture of hurt and amusement that made her shiver. Very well, he said, you do it.She had been intending to do just that, but now, with him watching her so intently, his eyes heavy-lidded with desire, she felt almost frozen in place. How could she be so brazen as to strip before h im? To peel her clothing from her body to do it herself. There was a difference, she realized, in taking off her own clothing and allowing herself to be seduced.Slowly, fingers trembling, she reached for the top button of her nightgown. She couldnt see it it was far too high, almost to her chin. But her fingers knew the motions, knew the buttons, and almost without thinking, she slipped one free.Jack sucked in his breath. Another.She obeyed.Another.And again. And again, until she reached the one that lay between her breasts. He reached down then, his expectant hands slowly spreading the two sides of her gown open. It did not reveal her to him shed not unbuttoned enough for that. But she felt the cool air on her skin, felt the soft tickle of his breath as he leaned down to place one kiss on the flat plane of her chest.You are beautiful, he whispered. And when his fingers moved this time to the buttons on her nightgown, he mastered them with no difficulty at all. He took her hand an d gave it a gentle tug, indicating for her to sit up. She did, closing her eyes as the nightgown push down away.With her vision dark, she felt more keenly, and the fabric nothing but a plain, serviceable cotton raised shivers of sensation as it slid along her skin.Or maybe it was just that she knew he was looking at her.Was this what it had felt like for that woman? The one in the painting? She must have been a woman of some experience by the time shed posed for Monsieur Boucher, but surely there had to be a first time for her, as well. Had she, too, closed her eyes so she could feel a mans gaze upon her body?She felt Jacks hand signature her face, the tips of his fingers softly trailing along the line of her neck to the hollow of her shoulder. He paused there, but only for a moment, and Grace sucked in her breath, waiting for the intimacy that awaited her.Why are your eyes closed? he murmured.I dont know.Are you afraid?No.She waited. She gasped. She even jumped, just a little, when his fingers slid along the outer shorten of her breast.She felt herself arching. It was strange. Shed never thought about this, never even wondered what it might be like to have a mans hands stroking her in this way, but now that the moment was upon her, she knew exactly what she wanted him to do.She wanted to feel him cupping her, holding her entirely in his palm.She wanted to feel his hand brushing against her nipples.She wanted him to touch herdear God, she wanted him to touch her so badly, and it was spreading. It had moved from her breasts to her belly, to the hidden spot between her legs. She felt hot, and tingly, and searingly hungry.Hungry there.It was without a doubt the strangest and most compelling sensation. She could not ignore it. She didnt want to ignore it. She wanted to feed it, indulge it, let him teach her how to quench it.Jack, she moaned, and his hands moved until he was cradling both of her breasts. And then he kissed her.Her eyes flew open.His mouth was on her now, on the very tip, and she actually clasped one of her hands to her mouth, lest she belly laugh with the pleasure of it. She hadnt imaginedShed thought shed known what she wanted, but thisShe hadnt known.She clutched at his head, using him for support. It was torture, and it was bliss, and she was barely able to breathe by the time he dragged his mouth back up to hers.GraceGrace he murmured, over and over, his voice sliding into her skin. It felt as if he was kissing her everywhere, and maybe he was one moment it was her mouth, and next her ear, and then her neck.And his hands they were wicked. And relentless.He never stopped moving, never stopped touching her. His hands were on her shoulders, and then her hips, and then one of them started sliding down her leg, tugging at her nightgown until it slipped off her entirely.She should have been embarrassed. She should have felt awkward. But she didnt. Not with him. Not when he was gazing down at her with such love and devot ion.He loved her. Hed said he did, and she believed him, but now she felt it. The heat, the warmth. It shone from his eyes. And she understood now how a woman might find herself ruined. How could anyone resist this? How could she resist him?He stood then, breathing hard, working at the fastenings of his breeches with hallucinating fingers. His chest was already bare, and all she could think was Hes beautiful. How could a man be so beautiful? Hed not led a life of leisure this, she could see. His body was lean and firm, his skin marred here and there with scars and calluses.Were you shot? she asked, her eyes falling on a puckered scar on his upper arm.He looked down, even as he pushed off his breeches. A French sniper, he confirmed. He smiled, rather lopsidedly. I am fortunate he was not better at his craft.It should not have been so amusing. But the recital was so him. So matter of fact, so understated and dry. She smiled in return. I almost died, too.Really?Fever.He winced. I h ate fevers.She nodded, pinching the corners of her lips to keep from smiling. I should hate to be shot.He looked back at her, his eyes alight with humor. I dont recommend it.And then she did laugh, because it was all so ludicrous. He was standing there naked, for heavens sake, clearly aroused, and they were discussing the relative unpleasantness of gunshot wounds and fevers.He crawled onto the bed, looming over her with a predatory expression. Grace? he murmured.She looked up at him and nearly melted. Yes?He smiled wolfishly. Im all better now.And with that, there were no more words. When he kissed her this time, it was with an intensity and fanaticism that she knew would carry them through to completion. She felt it, too this desire, this relentless need and when he nudged his leg between hers, she opened to him immediately, without reservation, without fear.How long he kissed her, she couldnt possibly have known. It seemed like nothing. It seemed like forever. It felt like she had been born for this moment, with this man. As if somehow, on the day of her birth, this had all been preordained on October the twenty-eighth, the year of our Lord 1819, she would be in Room 14 of the Queens Arms Inn, and she would give herself to this man, John Augustus Cavendish-Audley.Nothing else could possibly have happened. This was how it was meant to be.She kissed him back with equal abandon, clutching at his shoulders, his arms, anywhere she could gain purchase. And then, just when she thought she could handle no more, his hand slipped between her legs.His touch was gentle, but still, she thought she might scream from the shock and wonder of it.Jack, she gasped, not because she wanted him to stop, but because there was no way she could remain silent amidst the onslaught of sensation brought forth by that simple touch. He tickled and teased, and she panted and writhed. And then she realized that he was no longer just touching her, he was inside of her, his fingers explor ing her in a carriage so intimate it left her breathless.She could feel herself clench around him, her muscles begging for more. She didnt know what to do, didnt know anything yet that she wanted him. She wanted him, and something only he could give her.He shifted position, and his fingers moved away. His body lifted off hers, and when Grace looked up at him, he seemed to be straining against some irresistible force. He was holding himself above her, supporting himself on his forearms. Her tongue moved, preparing to say his name, but just then she felt him at her entrance, pressing gently forward.Their eyes met.Shhh, he murmured. Just waitI promiseIm not scared, she whispered.His mouth moved into a lopsided smile. I am.She wanted to ask what he meant and why he was smiling, but he began to move forward, opening her, stretching her, and it was the strangest, most amazing thing, but he was inside of her. That one person could enter another seemed the most spectacular thing. They wer e joined. She could not think of any other way to describe it.Am I hurting you? he whispered.She shook her head. I like it, she whispered back.He groaned at that, and thrust forward, the sudden motion sending a wave of sensation and pressure through her. She gasped his name and grabbed his shoulders, and then she found herself in an ancient rhythm, moving with him, as one. Moving, and pulsing, and straining, and then She shattered. She arched, she moaned, she nearly screamed. And when she finally came down and found the strength to breathe, she could not imagine how she could possibly still be alive. Surely a body could not feel that way and live to repeat it.Then, abruptly, he pulled out of her and turned away, grunting and groaning his own satisfaction. She touched his shoulder, feeling the spasms of his body. And when he cried out, she did not just hear it. She felt it, through his skin, through her body.To her heart.For a few moments he did not move, just lay there, his breathin g slowly returning to normal. But then he rolled back over and gathered her into his arms. He whispered her name and kissed the top of her head.And then he did it again.And again.And when she finally fell asleep, that was what she heard in her dreams. Jacks voice. Soft, whispering her name.Jack knew the exact moment she fell asleep. He was not sure what it was her breathing had already softened to a slow, even sigh, and her body had long since stilled.But when she fell asleep, he knew.He kissed her one last time, on her temple. And as he looked down at her peaceful face, he whispered, I will marry you, Grace Eversleigh.It did not matter who he was. He would not let her go.